High quality drinking surplus cardboard, metal
flesh, shining exposure.
Bulbs burst with jealousy as the homeless
Man behind your stretched face tonight
rips his corduroy pants to expose an erection –
The facility, a useful member of society
dared dark rooms waiting spoiled light shrivels upon
exposure the leftover negatives of a post-life moment
in time. Existential proofs considering pre-reality, flash
points to live by. It was framed perfectly adjusted balances
and we shuddered shutters in 1/3 the time –
blasting emulsion from our ink stained fingertips covering
each other’s throats and mechanical parts with sticky
ever-altered unloving cells basking in the glory of the
yet-to-be. Spoken moats, ever-collected remnants
estranged. Idyllic siren melody ringing like stray cats
fighting over the last scrap of skin in the back dumpster
while the neighbors watch porno at a cosmic volume –
Let’s do this – let’s take the few snapshots remaining
and burn them, send them into the atmosphere to
the Brazilian woods where, while we can never
speak of it, they will wait there until the trees
are cut down and turned into Polaroid paper.
Saturday, May 23, 2009
Thursday, May 7, 2009
these words are not mine these lines are nothing but lies the paper which this is printed on is soaked in blood the ink is gathered from dying children in one of those shanty towns far east of here or west and the letters which construct the words you are reading are dreams of dead men that mean absolutely nothing you want something recycled I beg you to begin here at the quarks of the written word a miniscule vocalization on the page represented by some arbitrary character an utterance a stare that could only be expressed with an elipses or projected on and off the page with strategically placed line breaks and stanzas this isn’t the only way you see when you really think about words and feeling and emotion and physical perceptions the letters break down and the words become components to the greater story it is in effect Nagasakian by the logic of several dead American men this writing is greater than the sum of its parts.
Bowing out along slippery
green blades swinging severed
limbs drenched in Sento and
Sonnets and the blistering gamots
of an uncertain shaking anxiety-
we forgot the book again
we forgot to read again.
It’s yellow outside, but we are all red.
And not all read, by shear virtue
we spend our nights in the company
of cigarettes and silly forgettable chatter,
neglecting perhaps an orgasmic
chapter or two, or maybe a just
listening to one of the many Prophets.
Let’s chug along anyway
let’s get to work sometime.
green blades swinging severed
limbs drenched in Sento and
Sonnets and the blistering gamots
of an uncertain shaking anxiety-
we forgot the book again
we forgot to read again.
It’s yellow outside, but we are all red.
And not all read, by shear virtue
we spend our nights in the company
of cigarettes and silly forgettable chatter,
neglecting perhaps an orgasmic
chapter or two, or maybe a just
listening to one of the many Prophets.
Let’s chug along anyway
let’s get to work sometime.
Yellow crusted over yogurt dripping from sliced wounds, or the balls we thought were in play sit blankly underrosaries of hanging jungle vines wrapped around an inferno of technological orgy sizzled fuck spread left impressions of our Lord on bedsheets left behind buried next to the bones of a dying distant planet only to be kept awake, adrift from the rain falling outside tonight across plains of leftover beer cans and condoms this is the electric sex pot encrusted sheets stuck together under your family’s old quilt and left to rot under the sink of the farmhouse’s broken mirror under it we lay all night and sang whispered prayers to one another until our muscles fueled with acid burning worth it we cried out when morning came and we remembered the night we did covered in straw and love and DNA like a mirored vortex a cat in a bag never existing but never caring.
Wednesday, April 1, 2009
Run from yourself, run from the police.
Run from yourself, run from the police.
Run from yourself, run from the police.
Run from yourself, run from the police.
Run from yourself, run from the police.
Run from yourself, run from the police.
Run from yourself, run from the police.
-------------------------------------------------------------------
We lie all night in the concrete prairie.
Bus stop fires among winking eyes.
Then drive on down to the cemetery.
Gun shot riots ash shaking thighs.
Our home is Mexico.
Our home is nowhere.
Where the Kentucky grass grows,
through your dark red hair.
--------------------------------------------
What am I up to nowadays? Nothing much.
I've been writing some stuff with sound in mind as of late. I've gotten to the point where I feel like my writing needs to be read aloud or performed. The last short poem here is an a cappella jingle sung to something that resembles a traditional American folk tune. I think I'm subconsciously summoning the old bards' ballads from the days of yore.
New place, same cat,
same face, red hat.
That is all.
Run from yourself, run from the police.
Run from yourself, run from the police.
Run from yourself, run from the police.
Run from yourself, run from the police.
Run from yourself, run from the police.
Run from yourself, run from the police.
-------------------------------------------------------------------
We lie all night in the concrete prairie.
Bus stop fires among winking eyes.
Then drive on down to the cemetery.
Gun shot riots ash shaking thighs.
Our home is Mexico.
Our home is nowhere.
Where the Kentucky grass grows,
through your dark red hair.
--------------------------------------------
What am I up to nowadays? Nothing much.
I've been writing some stuff with sound in mind as of late. I've gotten to the point where I feel like my writing needs to be read aloud or performed. The last short poem here is an a cappella jingle sung to something that resembles a traditional American folk tune. I think I'm subconsciously summoning the old bards' ballads from the days of yore.
New place, same cat,
same face, red hat.
That is all.
Thursday, March 12, 2009
Wednesday, February 25, 2009
spinning reapers mowing brown grass. blackened grass. if it’s gotta be good, it’s gotta be good. crumblies always make the better choice when downhill darlings sigh ‘oh god’ when their spots are taken. it’s too light, he said. take it back, show me all you got he said. show me all you got he said. i’m conscoius of all worlds he said at least those that i’m conscious of he said. thank god in heaven the neighbors flushed their radiowaves properly this time. stop coughing he said. adjust the speakers to face in. face in, adjust them face rightly. rise over run he said. sprinkle out the mushroom dust over the receiver, into the receiver. not too light. if there aren’t any clean socks by morning i’ll have your head he said. it’s gotta be good, it’s gotta be good he said. i can feel the mosquitos he said sucking me off. mosqiutos sucking me off. they’re sucking me off he said. thank god in heaven he said, because it’s if it’s gotta be good, it’s gotta be good. i felt the sweat the sweat above my lips he said. i felt it hit my tongue and explode he said. oh god. the blackend grass he said the blackened grass my nieghbor fired shots they all exploded he said. exploded rightly upon my tongue. it’s gotta be good he said. there’s gotta be rage. there’s gotta be love of country he said. take a blind eye. take a blackened eye but butt horns with everyone he said. oh god. adjust. face in he said. adjust in to face rightly he said.
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